Sometimes I wish I studied cartooning along with illustration and graphic design. I would already be used to something like this new style I’m attempting. Maybe then I wouldn’t have such pesky difficulties to struggle over.
But for my early reader, I’m aspiring to a new graphic-novel-y, cartoony style for younger children—different from the odd not-quite-cartoony style used long ago for Boston Magazine and my regular not-quite-realistic children’s illustration styles.
Going for a specific level of grunge and bad drawing with over-enthusiastic claws and tiny fangs is chancey stuff. It tends to be a difficult leap from 23 years of educational, trade nonfiction, and magazine illustration work . . . most of which were done on tight schedules . . .. Actually, practically everything . . . except my own illustrations and writing . . . was done on tight schedules . . ..
Yep, there it is. I’m illusplaining. Making excuses. In case this doesn’t pan out.
But a looser look fits the project. For now, I’m going with a claim of “outsider’s style.” Perhaps it will be new and interesting to those jaded by looking at good cartooning.
Got to try, anyway.
Nope. It's not a typo. I'm in flux. If you count novels, picture books, or partial chapter books, I'm a writer. If you count poetry, I'm an author. But I've been writing, critique-grouping and not submitting for quite a while.
Bravery came first for illustration and graphic design, so I made a living out of it. Now I'm semi-retired and working hard again on my own writing and writer/illustrator projects.
Okay, so it shouldn’t be much of a surprise that when I’m writing, I think in visual scenes. When Illustrating, I think of deepening the story.
A friend of mine who used to be my husband, still says, after I recover from something germy, “You’re not back to normal, you’re back to your usual self.”
That just about sums it up, I think, for all creative people. He’s a creative thinker, too. Scientists need to be, at least part of the time, so . . ..
Works In Progress: